Talking about Natural Dyes - Art + Fashion
From the studio No.44
Why is SARAH POLAND showing during Slow Fashion Week?
Here outlines the brand's commitment to sustainability and how we achieve this through our design practice and business model:
SARAH POLAND is an artisanal, natural plant dyed, slow, UK made purpose driven contemporary clothing brand, which celebrates the tension between form and ethics and is uncompromising in its responsibility to the world it draws from.
It’s circular fashion model helps to redefine luxury by integrating natural dyes, zero-waste design, non-toxic, organic and regenerative agriculture into every stage of production. The concept closes the loop by ensuring that all materials used are either biodegradable, recyclable, or compostable, returning safely to the earth at end-of-life without toxic legacy.
From the studio No.43
FASHION DECLARES! hosts Crafting Fashion Futures, a regenerative fashion futures event in the beautiful 1920’s Conway Hall in King’s Cross on 17th September 2025. It’s a great start to London Fashion Week and I’ll be showcasing a collaboration with Safia Minney - her organic cotton fabric, my design and natural dyed, painted dress. Safia founded People Tree, a pioneering sustainable and Fair Trade fashion label and Fashion Declares.
From the studio No.42
It's July and the dye garden is bursting with fecundity - of both plants and ideas. 
Here’s a very short video of part of the regenerative natural dye, food and medicine garden, it forms a part of the forest garden.
From the studio No.41
The Serpentine Gallery Summer Party is THE event on the art calendar.
Photographer and film maker Mark Lebon, known for his boundary breaking fashion photography in the 1980's and 90's, wears a commissioned SARAH POLAND kilt to the Serpentine Gallery Summer Party 2025.
From the studio No. 40
A SHORT INTRODUCTORY VIDEO ABOUT MY JOURNEY TO START A NATURAL DYED, LIMITED EDITION, UK MADE CLOTHING BRAND, PLUS A DIP INTO THE REGENERATIVE DYE GARDEN.
The why and what SARAH POLAND Art | Fashion is about and stands for as a clothing brand with sustainability and ethics at its core, with zero waste, circular design principles.
From the studio No. 38
In the studio, this year for me is all about getting out there - gaining visibility, collaboration and well, just keeping on keeping on.
This month and probably next month too, will be a creative time. For many years I’ve wanted to create my own wardrobe, wear mostly my own designs.
You could call it a capsule collection, perhaps a mini collection, I’m just going to call it a wardrobe for now.
From the studio No. 37
On Wed 6th Nov 2024, SUSTAINABLE FASHION WEEK hosted an event at Bristol Cathedral called FASHION ON EARTH. Invited to take part, I showcased a natural dyed corduroy bomber jacket in 5 different colours with a few one-off pieces, including a natural dyed painted kilt. Raven Roundwood Timber Frames, created a stunning exhibition stand for my natural dyed, hanging canvas installation backdrop.
From the studio No. 35
When creating artwork dye irregularities doesn’t matter so much as it adds visual texture, plus I paint on top of the dyed canvas. But a mark in the wrong place on a garment can look like an unwanted stain. It’s one reason people combine tie-dye or batik with natural dye, the blemishes become disguised. But I want to create a different look than we are used to with natural dye - it’s a challenge to create an even colour - something more chic, by using interesting colour combinations (I’m a colour geek) and beautiful planet conscious fabrics.
From the studio No.33
In a David and Goliath scenario, I’ve been pressured into changing my natural dyed clothing brand name (before it’s even launched).
We hear about insecure, avaricious big companies working to squeeze out independents, putting pressure on them in some way with their big buck budgets.
Well, they object to my use of the word sonnet in the name SONNET by Sarah Poland.
Studio journal 3
Back in 2002 I went to Western Canada to meet a great friend of mine, to snowboard as she finished her season and to travel together up the West coast. We stopped a night or two in Tofino, B.C. I wasn’t sure at the time why I didn’t join her on a whale watching boat trip, but I drifted into a lovely bookshop, sat on the floor to browse a shelf and came across this wonderful book, ‘Women Of The Beat Generation’, by Brenda Knight. Actually, it pretty much jumped out at me.
Studio journal 2
What I saw in 1993 was an exhibition by American painter Robert Ryman. Known as the ‘painter of white paintings’, he is one of the foremost abstract artists of his generation. The influence that this one exhibition had was so profound it still resonates deeply today.
 
                         
 
 
 
 
 
 
 
